In the late 1920s, Buster Keaton had made a series of silents that are still considered by many to be among the greatest comedies ever made. It culminated with The General in 1926, which was a marvellous artistic success, but a terrible commercial failure. The result was that Keaton lost the total artistic control he had previously enjoyed, and coinciding with the advent of sound film, he got a contract with MGM that he felt stifled his creativity completely.
By the time that he made Speak Easily in 1932, he was no longer directing, only acting, and to boot his marriage was going downhill along with his career. As a result, Keaton fell to heavy drinking, which cost him his job, his wife and most of his money. Eventually, he found new love and recovered from his bad habits, but by then it was too late to rescue his damaged career. Near the end of his life, however, he did make some fairly popular TV shows, and he had minor roles in a number of big movies.
It is easy to dismiss all of Keaton’s sound films as being of inferior quality. And while that is true compared with his best silents, they are not universally bad throughout. In fact, Speak Easily is a pretty neat little comedy. Keaton plays a professor who is badly in need of some friends and a change in life. When he learns that he has inherited a large sum of money, he leaves everything behind and jumps on a train in order to discover new things about himself and the world. It later turns out that there was no inheritance, but by that time he has already promised to pay for a mediocre travelling vaudeville company’s big break with a new show on Broadway.
For this film, and several others made around the same time, Keaton was paired with Jimmy Durante, another well-known Hollywood comedian. It was competently directed by Edward Sedgwick, and the plot is well held together with nice dialogue and some good stunts, many of them created by Keaton himself. Fans of the Marx brothers will be able to recognize several stunts that were reused when Keaton was hired to create gags for A Night at the Opera (1935).
This film is best enjoyed if you are curious about Keaton’s development after his silent period. Speak Easily may be nowhere near Keaton’s masterworks, but it is by no means bad. Keaton shows that he is a splendid actor, and the cooperation with co-star Durante works very well, even though they are basically two very different kinds of actors. Speak Easily is an endearing and enjoyable, albeit harmless, little comedy. Much better than the other Keaton soundies I have seen, such as Parlor, Bedroom and Bath (1931) and Li’l Abner (1940) (both available for download).
Running time: 1 h 21 min
Director: Edward Sedgwick
Stars: Buster Keaton, Jimmy Durante
Image quality: Acceptable
Resolution: Medium (640×480)
Sound quality: Acceptable
Best file format: MPEG2 (2.1 G)