One of Hitchcock‘s most common themes, and one which remained with him for almost his entire career, is that of an innocent man (or woman) who has to flee from the authorities in order to clean his name. There is also bound to be a bit of romance and love along the way. Hitchcock’s most famous movie of this kind was perhaps North by Northwest, but he used it many times, even in one of his early silent films.
Young and Innocent (known as The Girl Was Young in America) is a typical example. Here we see young Robert who happens to be the first to find a murdered woman. It turns out that the murder was committed with a belt from a raincoat, just such a raincoat that Robert claims was stolen from him earlier. To make matters worse, Robert appears to have a motive since he had unfinished business with the woman.
Hitchcock’s way of telling the story is typical. There is never any doubt about where our sympathies are supposed to lie, just as there is never any real doubt that the ending will be a happy one. So very soon after the film has begun, we know pretty much how the story will end. And even so, Hitchcock manages to enthrall us, and makes us stay spellbound right up to the very end.
The excitement in this kind of Hitchcock story stems not from the uncertainty about the ending, as in a good whodunnit, but in what way we are going to get there. Our protagonist is placed in a seemingly endless series of predicaments, each of which seems nearly without escape. Thus, Hitchcock manages to build simultaneously upon our inherent demand for security and our wish to be excited and just a little bit terrified.
It is interesting that the novel upon which Young and Innocent was based is originally a whodunnit, but Hitchcock took away and added elements until he had the story he was interested in telling.
There is a clear relationship between this “falsely accused” subgenre and the road movie genre, since the plot often involves the protagonist fleeing from place to place, trying to pick up clues or just staying one step ahead of his hunters. However, unlike a proper road movie, there is rarely much real character development evident in Hitchcock’s protagonists.
This film is best enjoyed for Hitchcock’s masterful storytelling techniques, not least the wonderful dolly tracking sequence through the ballroom and onto extreme closeup on the face of a band member. Brilliant and elegant.
Young and Innocent
Running time: 1 h 22 min
Director: Alfred Hitchcock
Stars: Nova Pilbeam, Derrick De Marney
Image quality: Acceptable
Resolution: Medium (640×480)
Sound quality: Acceptable
Best file format: MPEG2 (2.1 G)