Plan 9 from Outer Space (1959)

You know, they just do not make B movies like they used to. Take Plan 9 from Outer Space, for instance. This strange mix between science fiction and zombie film, with just a wee touch of vampire, has become famous as the worst film ever made, a totally undeserving tagline.

Tom Mason in Plan 9 from Outer Space (1959)

Ok, I admit there are a lot of bad things about this film. So many, in fact, that it is difficult to know exactly where to start: The bad effects, the cheezy props, the bad actors (Tor Johnson is really something extra), the corny story, the gaping plot holes, or the random footage that was included just to make this “Bela Lugosi’s last film”.

Regarding some of the goofs in the film, Wikipedia has this to say: “Wood framed his shots for the widescreen format, expecting that the ephemera at the top and bottom of the screen would be cropped in projection. Only when the film is viewed in its original widescreen format does it become apparent that Wood did compose his scenes correctly, and that the various objects intruding on the picture were never meant to be seen by the audience.” This may actually be true. I watched parts of the movie using VLC’s cropping function, and the sections I saw work at least as well in 16:9 format as in the normal 4:3 format.

In addition to the normal version of the film, the Internet Archive also hosts a surprisingly nice colorized version, which actually adds another dimension to the film. I nevertheless chose to use the black-and-white version as a standard, because it is the original, and because I think it is the version that most people will be looking for.

This film is best enjoyed if you can break free from the misconception that Plan 9 is the worst film ever made. It is not. Not by a far cry. There are literally hundreds of much worse movies than this one. And why? Because this one has heart. Somewhere, somehow, you can sense that Plan 9 was made with love for the medium and respect for the actors. Compared with a lot of mockbusters and other crap that are churned out for purely economic reasons these days, Plan 9 from Outer Space is infinitely more enjoyable!

Plan 9 from Outer Space (1959)

Plan 9 from Outer Space
Download link
Year: 1959
Running time: 1 h 18 min
Director: Ed Wood
Stars: Bela Lugosi
Image quality: Good
Resolution: Medium (640×482)
Sound quality: Good
Best file format: MPEG4 (724 M)

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The Last Man on Earth (1964)

Through the years, I have not reviewed very many horror films at this blog, and some of those I have written about, quite frankly, are not all that horrible. This week, however, I present one of the real classics in the genre, The Last Man on Earth with horror master Vincent Price in the title role.

Vincent Price in The Last Man on Earth (1964)

Vincent Price plays the last surviving human in a city full of living dead vampires. He seems to be immune to the virus that has infected all humanity, and in wont of better things to do, he spends his days trying to kill as many vampires as he can. He uses all the classical anti-vampire tricks in the book: garlic, wooden stakes, crucifixes, even mirrors. The works. And he succeeds because the vampires are more or less without mind. They move and they try to kill, but they are very slow and they have no conscious plan.

Technically speaking, The Last Man on Earth is a vampire film, but thematically it is rather more of a forerunner to the modern zombie film. The disease that infects nearly all human beings and makes them into mindless slayers is a typical zombie cliché. The modern vampire film, on the other hand, often has the vampires living as intelligent beings in secret communities among normal humans.

There are moments when you can see that this is a pretty cheap production. For example, in the beginning of the film, we see a series of shots of empty buildings, empty roads, empty parking lots, and so on. There are no signs of life. But, wait … There, at 00:43, on the right in the picture, is a small boy standing on a balcony. He was clearly not meant to be there.

Cheap or not, the film is really beautiful. Many scenes are really well composed, and Vincent Price was a brilliant actor. The film was made in Italy, and like most Italian 1960s productions, it was dubbed in post-production. I am guessing that Price made his own voice, but synch is not always perfect. That, I think, is the most blatant flaw in an otherwise very good movie.

Quite often, when a film at the Internet Archive is labeled “HD”, it turns out not to be true High Definition at all. Either, resolution is much lower than advertised, or it is “fake” HD, converted from a lower definition. But The Last Man on Earth, at least the version I link to, is true HD to every last pixel. This is an excellent version, and even if you are stuck with pretty lousy bandwidth, it is worth waiting for the 3.6 gigs to download.

This film is best enjoyed when you need a bit of cynism in your life. Like many of the best vampire films, The Last Man on Earth is dark, gritty and distressing. There is very little hope for humanity to be found here.

Vincent Price in The Last Man on Earth (1964)

The Last Man on Earth
Download link
Year: 1964
Running time: 1 h 27 min
Directors: Ubaldo Ragona, Sidney Salkow
Stars: Vincent Price
Image quality: Excellent
Resolution: High (1696×738)
Sound quality: Excellent
Best file format: MPEG4 (3.6 G)

Dr. Jekyll and Mr. Hyde (1931)

As far as I know, the first feature film adaptation of Robert Louis Stevenson’s story The Strange Case of Dr. Jekyll and Mr. Hyde was the 1920 film I wrote about last week. It was to be followed by many others, and one of the best is the first sound version, Dr. Jekyll and Mr. Hyde, starring Fredric March.

Fredric March in Dr. Jekyll and Mr. Hyde (1931)

This film starts with a very nice first-person sequence, where we get to follow Dr. Jekyll on his way to a lecture on his research. First-person narrative is not that common in modern film, but here it works since it is well made and later in the film it is just used frequently enough to make it a distinguishing feature of the film, without seeming intrusive or overused.

March plays the dual role of Jekyll and Hyde with a vigour and zest that is pure joy to behold. You can tell that he is having fun, and at the same time he is giving a completely professional performance. Not only March is excellent in his dual role, but many of the other actors are also very good, not least Miriam Hopkins as the fallen woman who tempts Jekyll, and thereby indirectly becomes the agent of her own destruction.

It is of course almost impossible to avoid comparing this version with Barrymore’s from 1920. Both actors make brilliant, and somewhat different interpretations. Personally, I prefer March as Jekyll but Barrymore as Hyde. The later film has some very nice special effects in the transformation, and is overall more impressive and more moody in its sets and lighting. Dr. Jekyll’s lab, in particular, is absolutely marvellous. The later film is also more specific and less Victorian in its attitude to Hyde’s atrocities. While still pretty tame compared with some modern movies, it is a good step forward, and quite more open in terms of violence and sexuality, in spite of being produced after the introduction of the infamous Production Code.

As you may guess from the above, I do have a preference for this version over the silent one, but both are very good, and both deserve to be seen on their own merits.

Several other filmed versions of the Jekyll and Hyde story exist at the Internet Archive. In addition to Barrymore’s 1920 version, two early shorts are of particular interest. They seem to be the two oldest surviving versions, one from 1912 and one from 1913. Of these two, the latter is definitely the better, although the older version naturally has a strong historical significance.

This film is best enjoyed for its mood and attention to detail. It is a good example of the films that were made just in the beginning of the sound era, and that retained much of the creativity and artistry from the best silents.

Fredric March and Miriam Hopkins in Dr. Jekyll and Mr. Hyde (1931)

Dr. Jekyll and Mr. Hyde
Download link
Year: 1931
Running time: 1 h 36 min
Director: Rouben Marmoulian
Stars: Fredric March
Image quality: Good
Resolution: Medium (720×542)
Sound quality: Acceptable
Best file format: MPEG4 (975 M)

Dr. Jekyll and Mr. Hyde (1920)

Robert Louis Stevenson’s story The Strange Case of Dr. Jekyll and Mr. Hyde is arguably one of the most popular, or at least well-known, pieces of literary fiction ever written. The original story is available at the Internet Archive (link above; and you can also get it in Esperanto), and there are of course lots of other texts related to it, and also a number of film adaptations.

Far from the first, but the first that became a hit and a classic, was the famous 1920 adaptation Dr. Jekyll and Mr. Hyde with John Barrymore in the dual role of Jekyll and Hyde.

John Barrymore in Dr. Jekyll and Mr. Hyde (1920)

Most film adaptations, this one included, are actually not based directly on Stevenson’s story, but on a stage play that premiered in 1887, only a year after the story’s first publication. The play took several liberties with the original, adding and deleting characters and subplots.

There is one problem in particular with adapting the original story. The story builds on the suspense of not knowing that Jekyll and Hyde are one and the same, but today every school child knows this even before they have ever read the story. Therefore, the adaptation must rest on other dramatic effects, such as the physical transformations, or the cruelty of Mr. Hyde. The stage play took care of all this, and added a bit of romance as well, which is the reason why it has remained the basis for Hollywood’s treatments of the story.

The copy I link to does not have a soundtrack. Other versions at the Archive do, but none of them is really very good, and they are all of inferior image quality. Therefore, I prefer this one.

This film is best enjoyed for Barrymore’s exceptional performance. Sure, some of Hyde’s vices feel a bit aged by toda’s standards; as Victorian as the original story itself. But even so, Barrymore works perfectly in the dual role, both as the smooth and elegant gentleman and as the degraded brute.

John Barrymore in Dr. Jekyll and Mr. Hyde (1920)

Dr. Jekyll and Mr. Hyde
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Year: 1920
Running time: 1 h 22 min
Director: John S. Robertson
Stars: John Barrymore
Image quality: Acceptable
Resolution: Medium (640×482)
Soundtrack: None
Best file format: MPEG4 (705 M)

The Star Destroyer Potjomkin (2005)

For the second time in the life of this blog, it is time for Short Film Month. The reason why I want to devote an entire month’s output only to short film is that I normally only write about feature-length films, or those that are slightly shorter, and yet there is so much short film on the Internet Archive that deserves to be highlighted. This time, I will begin with the brick film The Star Destroyer Potjomkin.

Lego in the brick film The Star Destroyer Potjomkin / The Star Destroyer Potemkin (2005)

Brick film is a genre which I must admit I know very little about. Yet, on a blog about the Internet Archive it deserves to be mentioned, because there is an entire collection of hundreds of these films. The basic idea is that you use Lego bricks for your sets, props and characters. Then you animate the film, one frame at a time. Most are made by dedicated amateurs, and most are short, typically from just a minute or two up to a quarter of an hour. The occasional exception, such as The Han Solo Affair, is completely professionally made, and more in the nature of a Lego commercial.

The Star Destroyer Potjomkin is almost exactly an hour shorter than the version of Battleship Potemkin that I reviewed last week. The title, along with the tag-line “Star Wars meets Eisenstein meets Lego”, more or less says it all. The plot is condensed, but more or less intact. The film often balances on a fine edge between parody and homage.

If, like me, you think that The Star Destroyer Potjomkin is a good film and you want more of same, be aware that not all brick films are as good as this one. There are some shining examples of how this medium can be used to make good film, and then there are some really bad pieces, and most fall somewhere in between. I suggest you browse the above-mentioned collection and look carefully at the reviews. They will usually give you a pretty good idea of what you will experience, even though Internet Archive reviews in general tend to be a bit overrating.

This film is best enjoyed after you have already seen the original Battleship Potemkin, and the sooner after the better. The film’s greatest strength is its many elegant references to the original, especially in angles and image composition.

Lego in the brick film The Star Destroyer Potjomkin / The Star Destroyer Potemkin (2005)

The Star Destroyer Potjomkin
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Year: 2005
Running time: 11 min
Director: Karsten Köhler
Image quality: Good
Resolution: Medium (720×576)
Sound quality: Good
Best file format: Quicktime (165 M)

I Bury the Living (1958)

Imagine discovering that you have the power over life and death for certain persons. With a simple action you can decide who dies within the next few hours. Of course, that is not necessarily a pleasant discovery, and since you doubt that it can be true, you have to try again. And again. And even when you are entirely convinced yourself, people around you think you are crazy, and even urge you to test it upon themselves.

Such is the story of the wonderful B horror I Bury the Living. Robert has just taken over as Chairman of a quiet little cemetery, when he notices that just by putting a black pin (for deceased) in a certain grave plot on the big cemetery map, he can prematurely terminate the life of the person who has bought that plot.

Richard Boone in I Bury the Living (1958)

Surrounding the ever more confused and desperate Robert is a number of interesting characters: His supportive fiancée, the Scottish cemetery caretaker, his uncle George and a somewhat bewildered police lieutenant. All of these will react in very different ways to Robert’s problems.

Several people, apparently including Stephen King, have criticised the ending of this film. I can understand, and to some extent agree with that criticism, since the ending breaks with the film’s otherwise tense mood. The current ending also makes the film’s genre is a bit ambiguous. But I am not one to complain. On the whole, I Bury the Living is a delightful little horror/thriller.

This film is best enjoyed for the intense feeling of suspense. The plot, when you start to think about it, has a number of glaring gaps, but the music, the photo and the excellent actors give you no time to ponder over such trivialities.

Peggy Maurer and Richard Boone in I Bury the Living (1958)

I Bury the Living
Download link
Year: 1958
Running time: 1 h 17 min
Director: Albert Band
Stars: Richard Boone
Image quality: Good
Resolution: Medium (720×540)
Sound quality: Acceptable
Best file format: MPEG2 (1.9 G)

Vampyr (1932)

I think it is a fair statement that the modern horror genre was born out of a marriage between the German Expressionism's easthetics and Hollywood’s big-budget, mainstream storytelling tradition. For good or bad, that combination has dominated horror film world-wide ever since.

But there were certainly other directions it could have taken. And did, in some cases. Carl Theodor Dreyer showed us a glimpse of one possible influence of avant-garde thinking in the horror genre in his first sound film, Vampyr.

Nicolas de Gunzburg (Julian West) in Carl Theodor Dreyer's Vampyr (1932)

In spite of the German language of this particular print, the film was produced in France. Like most French films from around this period, it has problems with the soundtrack, which is somewhat inexpertly dubbed afterwards. Look, for example, at Zéro de conduite (1933), which is even worse, and then compare with the Hollywood film White Zombie (1932). Even though the American film suffers from inferior recording equipment (compared with what would be the norm just a few years later), it sports sound recorded on location, perfectly synchronized with the images.

But that “perfect” sound comes at a prize. Another interesting comparison is how much more elegantly Dreyer was able to work with the light silent-era cameras that I assume he was still using. White Zombie, in comparison, is much more static and conventional in its imagery, and that is partly because they had to use heavier, sound-proofed cameras.

Dreyer sometimes inserts surrealistic elements, and even though the basic plot is fairly simple, he makes jumps that stretches the story’s credibility. The plot can therefore at times be difficult to follow, but that is a problem only if you expect a traditional story structure. This kind of avant-garde film is not one where comprehending is always the most important thing. Here, everything is designed to make you feel, rather than analyze. So let go your conscious mind, and allow your subconscious to guide the experience.

This film is best enjoyed for two reasons, both contributing to the tense atmosphere that is felt throughout. The first reason is Dreyer’s excellent use of camera, lighting and angles. The second is Wolfgang Zeller’s amazing score, in itself reason enough to watch the film.

Rena Mandel and Jane Mora in Carl Theodor Dreyer's Vampyr (1932)

Vampyr
Download link
Year: 1932
Language: German (English subtitles)
Running time: 1 h 13 min
Director: Carl Theodor Dreyer
Stars: Nicolas de Gunzburg (Julian West)
Image quality: Acceptable (poor in some scenes)
Resolution: Medium (574×434; not counting black border)
Sound quality: Acceptable
Best file format: MPEG4 (1,018 M)