I Bury the Living (1958)

Imagine discovering that you have the power over life and death for certain persons. With a simple action you can decide who dies within the next few hours. Of course, that is not necessarily a pleasant discovery, and since you doubt that it can be true, you have to try again. And again. And even when you are entirely convinced yourself, people around you think you are crazy, and even urge you to test it upon themselves.

Such is the story of the wonderful B horror I Bury the Living. Robert has just taken over as Chairman of a quiet little cemetery, when he notices that just by putting a black pin (for deceased) in a certain grave plot on the big cemetery map, he can prematurely terminate the life of the person who has bought that plot.

Richard Boone in I Bury the Living (1958)

Surrounding the ever more confused and desperate Robert is a number of interesting characters: His supportive fiancée, the Scottish cemetery caretaker, his uncle George and a somewhat bewildered police lieutenant. All of these will react in very different ways to Robert’s problems.

Several people, apparently including Stephen King, have criticised the ending of this film. I can understand, and to some extent agree with that criticism, since the ending breaks with the film’s otherwise tense mood. The current ending also makes the film’s genre is a bit ambiguous. But I am not one to complain. On the whole, I Bury the Living is a delightful little horror/thriller.

This film is best enjoyed for the intense feeling of suspense. The plot, when you start to think about it, has a number of glaring gaps, but the music, the photo and the excellent actors give you no time to ponder over such trivialities.

Peggy Maurer and Richard Boone in I Bury the Living (1958)

I Bury the Living
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Year: 1958
Running time: 1 h 17 min
Director: Albert Band
Stars: Richard Boone
Image quality: Good
Resolution: Medium (720×540)
Sound quality: Acceptable
Best file format: MPEG2 (1.9 G)

The Bat (1959)

Between 1922 and 1960, the play The Bat was filmed at least five times. I have previously written about the 1960 TV version, and in that post I also told a bit about how the story is connected with Batman. Now the turn has come to what is perhaps the most well-known version, the 1959 film The Bat, starring Vincent Price and Agnes Moorehead.

Agnes Moorehead and Lenita Lane in The Bat (1959)

In this version, Moorehead plays a mystery writer who has rented a mansion over the summer, but the place scares her hired staff, and things do not exactly improve when rumours of the masked murderer “The Bat” start to go around. The Bat is soon drawn to the mansion for some reason, and so are several other persons, including Lieutenant Anderson, who tries to capture The Bat, and Dr. Wells (Price), a man with some pretty shady background.

Of all the versions, this is perhaps the one that is furthest removed from the original play. While that helps to give it more cineastic integrity (in terms of not feeling quite so much like a filmed play), it also works to the film’s disadvantage to some extent. The play has a really tight and well worked out plot, and though the film retains the major plot elements, it feels somewhat less intense and dramatic. The horror aspects that have been added do not feel all that terrifying fifty-plus years later.

Still, it is a cozy piece of a mystery, one to cuddle up in front of on a dark and stormy night. In addition, of the three versions available from the Internet Archive, it is most definitely the one with the best sound and image quality.

This film is best enjoyed if you are a fan if Vincent Price. He is, as always, excellent, though the other actors deserve praise, too. Oh, and Crane Wilbur’s directing is also very solid.

The Bat's steel clawed glove in The Bat (1959)

The Bat
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Year: 1959
Running time: 1 h 20 min
Director: Crane Wilbur
Stars: Agnes Moorehead, Vincent Price
Image quality: Good
Resolution: Medium (720×480)
Sound quality: Good
Best file format: MPEG2 (2.1 G)

Duck and Cover (1952)

“This is Tony, going to his Cub Scout meeting. Tony knows the Bomb can explode anytime, day or night, any time of year. He’s ready for it. Duck and cover!”

Oh, yeah. Those American kids of the 1950s were ready, all right. Thanks to governmental terror propaganda, every kid knew what to do when the Communists dropped the Bomb. After all, they were told what to do in the film Duck and Cover, part of our October Short Film Month spotlight.

Bert the Turtle and a monkey in Duck and Cover (1951)

Duck and Cover is part animation, part live action. It begins and ends with Bert the Turtle giving some sound advice about what to do when faced with an atomic bomb, or a monkey with a stick of dynamite. In between, a soothing voice tells us that everything will be allright if you take cover underneath your school bench, or behind a low wall, or just anyplace you can find.

Today, Duck and Cover may look silly and ridiculous, but it must be remembered that in the 1950s, the danger of nuclear war seemed very real, and probably was. Even though Russia and Communism are not mentioned, even indirectly, the film was nevertheless a tool for strengthening patriotic awareness.

The advice given, to duck and cover, may not be as inane as it seems at first glance. Even an atomic bomb will not kill every living thing within the blast radius, and the more cover you have, the better your chances of survival. The film only becomes ridiculous because it nowhere gives any hint of exactly how dangerous and terrible a nuclear explosion actually is. It gives the impression that if you just cover yourself with a picnic blanket, you might be perfectly safe.

Duck and Cover is not a great film by any standards. The animations in particular are cheap, and the rest is nothing special. So you do not watch this film on any cinematographic merits.

This film is best enjoyed for providing some amusing perspective on a world that was still a reality only thirty years ago. But if you think about it, the film can also be seen as a powerful allegory to some politicians’ solutions to today’s problems like climate change, migration or foreign wars. Just duck and cover, and everything will be all right. (And don’t forget to cover your head with that newspaper.)

Man hiding under newspaper when the Atomic Bomb strikes, from Duck and Cover (1951)

Duck and Cover
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Year: 1952
Running time: 9 min
Director: Anthony Rizzo
Stars: Robert Middleton (voice)
Image quality: Good
Resolution: Medium (640×480)
Sound quality: Acceptable
Best file format: MPEG2 (322 M)

Beat the Devil (1953)

Humphrey Bogart, while perhaps best remembered for romantic dramas like Casablanca (1942) or film noirs like The Maltese Falcon (1941), participated in a wide range of genres during his long career. One of his many lesser-known but excellent performances is in the thriller comedy Beat the Devil.

Marco Tulli, Peter Lorre, Jennifer Jones, Humphrey Bogart, Robert Morley, Ivor Barnard and Gina Lollobrigida in Beat the Devil (1953)

While perhaps not Bogart’s typical kind of movie, the character he plays in Beat the Devil retains many of the traits from his more famous roles. He is cool, callous, cynical and clever, yet somehow endearing. He is Billy Dannreuther, an American in Italy who has lost all his money and sees the opportunity to make more by joining four crooks in some shady land deals. They all travel by boat, hoping to get to British East Africa, but Destiny wills otherwise.

Gina Lollobrigida (who is still alive as I write this) plays Billy’s wife Maria in a marriage that appears to have very little love left in it. On board the ship to Africa, they meet with the Chelms, an English couple (Edward Underdown and Jennifer Jones). Billy and Maria each start to flirt with Mrs. and Mr. Chelms, respectively, which in turn leads to entaglements.

But in spite of all the other exciting and colourful characters, perhaps the most interesting of the lot is the band of four criminals played by two well-known and experienced actors (Robert Morley and Peter Lorre) and two that never achieved stardom (yet also very good). These four throughout most of the film appear as a single unit, almost as one character with four faces. The directing of their appearances is absolutely brilliant.

It has been said that Bogart himself did not particularly like this movie. Well, I like it, and I warmly recommend it to anyone who takes a fancy in the good old black-and-white classics.

This film is best enjoyed for its fantastic actors and characters, and their wonderful dialogue. The plot (to the extent that there is one) plays a very minor part in this movie.

Marco Tulli, Jennifer Jones, Humphrey Bogart and Gina Lollobrigida in Beat the Devil (1953)

Beat the Devil
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Year: 1953
Running time: 1 h 29 min
Directors: John Huston
Stars: Humphrey Bogart, Gina Lollobrigida
Image quality: Good
Resolution: Medium (720×480)
Sound quality: Good
Best file format: Cinepack (856 M)

Teenagers from Outer Space (1959)

There are so many bad science fiction films at the Internet Archive that I am sure I could easily fill a year’s worth of blog posts with them alone. Just a few examples at random: Assignment: Outer Space; The Wizard of Mars; Unknown World; The Phantom Planet; War of the Planets; Cat Women of the Moon. The list could go on.

There is no reason to write in detail about all of them, but watching one every once in a while, just for fun, will do no harm. I have therefore chosen my favourite of the lot, Teenangers from Outer Space. A thoroughly bad movie in every imaginable way.

Harvey B. Dunn and Bryan Grant in Teenagers from Outer Space (1959)

And yet, there is something enjoyable and charming about this turkey. It is hard to put a finger on it, but behind the corny plot about a renegade alien who tries to rescue humanity, behind the bad dialogue and worse acting, behind all the absurd props and the worst special effects I have ever seen, behind all that there is something genuinely warm and endearing about it. And of course, it is vastly entertaining. Mostly because it is so unspeakably bad, but partly because, for some reason, you actually care about the characters.

The film is about an alien called Derek, who speaks and reads perfect English even though he had no idea that humans existed on earth before he escaped from his kindred who came to wipe out earthly life in order to use our planet as pasture for monster crabs that can grow to gigantic proportions. Oh, and of course there is the girl that he falls in love with. And some absolutely wonderful pieces of 1950s small-town America. And Thor, his companion who is sent out to bring him back to justice.

You can see the communist fear that drives the plot of the film. The fear that someone cold and calculating, someone utterly alien, would come along and take away all the middle-class houses and home baked pies. But also the hope that some of the invaders would be human and turn against their comrades.

On top of all the other rot, the title is one of the most ridiculous I have ever encountered. I doubt if there is a single genuine teenager in the entire film.

This film is best enjoyed late at night with snacks, drinks and the company of good friends.

Dawn Anderson and David Love in Teenagers from Outer Space (1959)

Teenagers from Outer Space
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Year: 1959
Running time: 1 h 25 min
Director: Tom Graeff
Stars: There are no stars in this film
Image quality: Good
Resolution: Medium (720×480)
Sound quality: Acceptable
Best file format: MPEG2 (1.9 G)

Radar Men from the Moon (1952)

Star Wars has reclaimed the position as the hottest franchise in the movie business, and fans will endlessly debate who is the best character or the pros and cons of various plotlines. Somewhat in the shadow of all the hype, you will sometimes find some discussion about George Lucas’ sources of inspiration.

A handful of Lucas’ sources can be found at the Internet Archive; I have previously written about the serials The Phantom Empire (1935) and Flash Gordon Conquers the Universe (1940). A third serial which inspired him was Radar Men from the Moon (chapters 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12), as can be seen in the character Commander Cody (Star Wars Episode III), from the serial’s hero Commando Cody.

George Wallace as Commando Cody (aka the Rocketman) in Radar Men from the Moon (1952)

Cody in the serial, who was also one of the inspirations for the 1980s movie and comic hero The Rocketeer, constructed his own backpack rocket and helmet, which help him fly, so that he can better fight the bad guys. In this particular serial (Cody was to appear in one more), he learns that moon men plan to invade earth, so he goes there to fight them. Most of the serial, however, is set on earth where Cody and his associates do battle against the infiltrators from the moon.

Radar Men from the Moon was produced one or two decades after the other serials I have reviewed here, and in some ways it shows. In the 1950s, the serials had passed their peak, both in terms of popularity and quality. There is still plenty of action, excitement and adventure, but beyond the first episode, which has some interesting points, the story feels a bit tired.

Like most serials after the early 1930s, Radar Men from the Moon is stuck in some rather stale gender roles. Take the matter of women on board spaceships, for instance. “You will be very glad to have someone on board who can cook your meals,” is just too typical a comment. This delivered by the woman in question, incidentally.

This serial is best enjoyed by Star Wars fans who want to explore George Lucas’ sources of inspiration. For serial fans, or those who want an introduction to serials, there are several better options, such as the eleven years older Adventures of Captain Marvel.

George Wallace as Commando Cody (aka the Rocketman) fighting a moon man in Radar Men from the Moon (1952)

Radar Men from the Moon
Downlad links: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12
Year: 1952
Running time: 2 h 47 min
Director: Fred C. Brannon
Stars: George Wallace
Image quality: Acceptable
Resolution: Medium (720×480)
Sound quality: Acceptable
Best file format: MPEG2

Scrooge (1951)

Christmas is rushing closer by the minute and the panic is definitely here. Bottle of spumante wine for mother-in-law, some nice book for daughter, no idea even what to get for wife (she claims she likes film, but never watches any, so DVDs are out of the question). And then we need to pack for the trip to the family, and we have not even had time to put up much in terms of decorations in our home.

Well, that is the way it goes, but in the middle of that rush, what could possibly be better than to grab a mug of mulled wine and sit down in front of a nice old film. A film like Scrooge.

Alastair Sim and Francis De Wolff in Scrooge aka A Christmas Carol (1951)

Scrooge, sometimes released with the title A Christmas Carol, is a breathtakingly beautiful film. The actors are good, and Alastair Sim in particular is marevellous as the aging miser who is reformed through divine intervention. Special effects are simplistic, but that is not really a problem. Dobule exposure and effective lighting go a long way when it comes to creating ghostlike gosts.

Charles Dickens’ classic tale has been filmed a great many times, and many of the versions are good. The versions available at the Internet Archive are too many for me to list them all, but I would like to mention just two short silents. The very first film adaptation of the story, Scrooge, or Marley’s Ghost (1901) is available. Like many early literary adaptations, it requires a good deal of knowledge about the original, or it will be completely impossible to comprehend. It is a truly historic film, especially considering that it has been said to be the first film with intertitles, and anyway it is only about three and a half minutes long. The other interesting silent is a really good ten-minute adaptation from 1910, titled simply A Christmas Carol. That one is a small masterpiece in compact story-telling and well worth the ten minutes it takes to watch it.

The 1951 film is best enjoyed around Christmas time, to get in the right mood. Pathetic? Why, certainly, but just a wee bit, and not so much as to ruin it.

Alastair Sim, Olga Edwardes and Brian Worth in Scrooge aka A Christmas Carol (1951)

Scrooge
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Year: 1951
Running time: 1 h 24 min
Director: Brian Desmond-Hurst
Stars: Alastair Sim
Image quality: Excellent
Resolution: High (978×720)
Sound quality: Good
Best file format: MPEG4 (1.0 G)