Kansas City Confidential (1952)

As the 1940s turned into the 1950s, things happened with the film noir genre. It has something to do with the lighting, and with the camera angles. Perhaps there is something aobut the plots as well. Anyhow, a good example of this “new wave” of noirs is Kansas City Confidential.

John Payne and Lee Van Cleef in Kansas City Confidential (1952)

The plot is superficially similar to one of Alfred Hitchcock’s favourites, where a man is falsely accused of a crime and has to clear himself of suspcion. In this case, however, the plot is twisted in several ways, not least because the accused is an old jail bird, and there really is no-one in the film who has an entirely clean consciousness. Well, except maybe Coleen Gray in the role of the romantic interest, although as a woman studying at law school, that role is interesting for being representative of the growing women’s rights movement.

There are quite a few films with the word “Confidential” in the title, but as far as I have been able to figure out, Kansas City Confidential may have been the first with a city name in the title. It must have been fairly popular, because Chicago Confidential, New York Confidential and others like it followed within the next few years.

This film is best enjoyed for the good actors and the wonderful characters. The plot is a bit weak at times, but those characters, along with solid directing, more than make up for that.

John Payne and Coleen Gray in Kansas City Confidential (1952)

Kansas City Confidential
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Year: 1952
Running time: 1 h 39 min
Director: Phil Karlson
Stars: John Payne, Lee Van Cleef
Image quality: Excellent
Resolution: High (960×738)
Sound quality: Good
Best file format: Matroska (4.4 G)


The Scar (1948)

There are several very good film noirs at the Internet Archive. Since I have previously only written about five of them, the latest over a year ago – the “historical noir thriller” The Black Book, which is not exactly a “pure” noir – it is about time for another. The turn has therefore come to the exellent The Scar, originally titled Hollow Triumph.

Paul Henreid in The Scar / Hollow Triumph (1948)

When John Muller is released from prison, he and his companions decide to rob a casino. The heist goes awry, however, and he is now a wanted man. The casino owner wants to get even. In a stroke of good luck, Muller meets a psychoanalyst who is his doppelgänger, except for a large scar on one cheek. He decides to take over the man’s identity in order to disappear from his hunters. But this is a noir. Things are bound to go wrong somehow.

Just like any good example of the genre, this film is ripe with suspense and drama. The minds of most people who populate its black-and-white world are as dark as the dramatic shadows falling across the screen. The actors are really good, too, so even though the plot has some not so brilliant moments, this is not to be missed if you are a fan of the genre.

This film is best enjoyed whenever you need something to make you happy. Even though film noir tend to be pretty downbeat in many ways, they never fail to improve my mood.

Paul Henreid in The Scar / Hollow Triumph (1948)

The Scar
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Year: 1948
Running time: 1 h 41 min
Director: Steve Sekely
Stars: Paul Henreid
Image quality: Good
Resolution: Medium (640×480)
Sound quality: Good
Best file format: Cinepack (900 M)