Eight men, one woman. They have formed a secret society, the aim of which is to better mankind by murdering those who deserve to die. They have gathered on this day to decide if a certain person will die, and if so, who is to perform the deed. Such is the beginning of The Ace of Hearts. The title indicates the fateful card that is used to randomly choose the murderer.
But love is about to complicate our plot. Two members are rivals for the love of the only woman, Lilith, but she loves neither back. She only has feelings for the Cause. Ah, but what will happen when one of the two is chosen to commit a murder for that Cause? Can she separate her feelings for the man and the ideal? This plot may seem a bit corny, but works really well togehter with the excellent actors and the nice photography.
Around this time, film cameras slowly started to move around; to pan, to track, to zoom. The camera in The Ace of Hearts, however, is always completely static. But that is not entirely a problem, because when the limits of the set are known, the director and cameraman can use the set as if it was a painting, carefully composing each detail to balance the whole picture. Akira Kurosawa was to use similar techniques a lot in many of his best films, decades later, and Wallace Worsley does it here, almost to perfection. Watch, for example, The Man Who Deserves to Die striding slowly from the restaurant entrance to the dining hall’s vault. Splendid!
If you are a fan of Lon Chaney, The Man of a Thousand Faces, then this may or may not be a film to your taste. This is the only film I have seen where Chaney does not in any way use heavy makeup or prosthetics for enhancing his role and performance. Chaney is good enough an actor that he is excellent even without this, but if your fancy are his many amazing horror masks, then this film may disappoint you.
Like any silent film, I am sure this one would have been even better with a good soundtrack. However, thanks to the film’s poetic imaging and slow but deliberate tempo, I did not find the lack of sound disturbing. The mere visuals keep tension up by themselves. If silence makes you nervous, a version with an acceptable organ score is also available, but unfortunately it has lower image quality.
This film is best enjoyed as a conceptual sequel to The Penalty from the year before. The Ace of Hearts had the same director, the same star (Chaney), and was based on a novel by the same author, Gouverneur Morris. And even though the films are set in very different surroundings, they share the delving into the darker recesses of the human psyche.
The Ace of Hearts
Running time: 1 h 14 min
Director: Wallace Worsley
Stars: Lon Chaney
Image quality: Good
Resolution: Medium (640×482)
Best file format: MPEG4 (889 M)