Love Affair (1939)

I sit here on Christmas Eve, surrounded by family, waiting for Christmas dinner to be prepared and for presents to arrive (where I live, Christmas Eve is more important to celebrate than Christmas Day). Every year, I try to include at least one Christmas themed movie around this time. This year, I have chosen the classic Love Affair.

Charles Boyer and Irene Dunne in Love Affair (1939)

True, the entire film is not about Christmas. It is only in the last twenty minutes that the Christmas theme comes in, but it is fitting enough at that point, because that is where the film turns into a real feel-good melodrama. I will not reveal too much of the plot, except to say that it involves true love at first sight, forced separations, great personal sacrifice, and I do not think I spoil too much by revealing that there will be a happy ending, although one not entirely without complications.

Like many other popular old movies, this one was adapted into a radio play, and Irene Dunne even reprised her role from the film. I have not listened to this particular adaptation, but those old radio plays are often very good. If you are interested, Love Affair and many others are available as part of the Screen Guild Theater series.

This film is best enjoyed because the chemistry between Charles Boyer and Irene Dunne is excellent. The plot have a few weak moments if you start analysing it too closely, but Boyer and Dunne nevertheless manage to make the story believable.

Charles Boyer, Maria Ouspenskaya and Irene Dunne in Love Affair (1939)

Love Affair
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Year: 1939
Running time: 1 h 33 min
Director: Leo McCarey
Stars: Charles Boyer, Irene Dunne
Image quality: Acceptable
Resolution: Medium (720×576; including black border)
Sound quality: Acceptable
Best file format: DivX (700 M)

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Cabiria (1914)

In the 1910s, for the most part, film as a storytelling medium was not yet very mature. Most films were static in their camerawork, and the scripts were often clumsy. Some slapstick comedy from that time can still be amusing (in moderate doses), but the dramas and “action” films of the day are mostly pretty tiresome affairs.

But there are exceptions. Cabiria, even though it is the victim of many problems of its time, is one. This Italian film was one of the first great epic dramas, with spectacular sets, masses of extras and a bombastic storyline filled with hyperbole and melodrama.

The statue of Moloch in Cabiria (1914)

The film is about the girl Cabiria, who is robbed from her home during a volcanic eruption in ancient Roman times, taken as a slave to various places around the ancient world, and finally wins her freedom when she has become a grown woman. But in reality, various sub-plots are much more interesting, such as the story of Fulvio Axilla and his slave Maciste. Truth be told, the film is pretty confusing with all its characters and sub-plots, and sometimes too much, sometimes too little, information conveyed in the title cards.

The poor girl Cabiria is barely even treated as a personality. In the first half of the film, she is dragged and carried around as if she was a thing. In the second half, we get to see a bit more of her as she has grown up, but even then she does not do much to give a lasting impression.

Another character in this film is much more interesting, both due to the actor Bartolomeo Pagano and his portrayal of the character in the film, and due to the character’s later on-screen career. The character is called Maciste, and prior to watching this film, I had noticed that name, as it often appeared in Italian sword-and-sandal films from the early 1960s. But the English-language dubs of those films often used other names, such as Atlas in the Land of the Cyclops (Maciste nella terra dei ciclopi) or Colossus and the Headhunters (Maciste contro i cacciatori di teste). I wondered about this sometimes: Who was this mysterious Maciste, who never got to keep his name in translation? Well, it turns out that Cabiria was his first appearance, and that he was later to star in 26(!) further silents (all with Pagano in the title role) and another 25 films in a revival in the early 1960s.

I have not been able to find any other silents with Maciste at the Internet Archive, but there are several interesting 1960s Macistes. Perhaps I will review one of them in the future.

The version of Cabiria I link to is the one at the Internet Archive with the best image quality, but unfortunately it has no soundtrack. If you feel that your life is incomplete without sound, then you can choose between a version with an electronic score and one with piano music. I personally prefer the latter in this case.

This film is best enjoyed if you are interested in cinematic history. For its time, the film is an epic masterpiece, but I have to be frank and admit that it has aged quite considerably during the more than hundred years that have passed since it premiered. Do watch it, and enjoy what is to be enjoyed, but do not expect too much. It is still a great piece considering its age.

Umberto Mozzato, Gina Marangoni and Bartolomeo Pagano (as Maciste) in Cabiria (1914)

Cabiria
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Year: 1914
Language: English
Running time: 2 h 3 min
Director: Giovanni Pastrone
Stars: Umberto Mozzato, Bartolomeo Pagano
Image quality: Acceptable
Resolution: Medium (512×384)
Soundtrack: None
Best file format: Cinepack (1.2 G)

The Little Princess (1939)

Only a handful of Hollywood actors from the 1930s are as well remembered today as Shirley Temple, the cutesey child actor, adored by everyone. At the ripe age of ten, Temple made the film The Little Princess. No-one knew it yet, but already her star was waning. The Little Princess was one of her last major successes.

Shirley Temple in The Little Princess (1939)

The Little Princess is basically the story of Cinderella, with a few twists thrown in. Shirley plays the girl Sara, whose mother is dead and whose father is going into war. He leaves her to a fine boarding school, where she quickly becomes the mistress’ favourite, and the envy of the other girls. She also gets a few friends among the staff. But things take a sudden turn for the worse when her father is reported dead. All her nice things are taken away, and she is forced to work off her father’s debts.

Today, The Little Princess may seem a bit overly cute and sentimental, and Shirley Temple may seem just a little bit too perfect with her smiles and mannerisms. Ah, but she is gorgeous at the same time. She basically makes the entire film, although several of the adult actors are also very good, and the whole piece is exquisitely well produced from beginning to end.

This film is best enjoyed if you want to discover Shirley Temple, arguably the most celebrated child star in all of Hollywood. If you like this film, there is a good chance that you will also like Little Lord Fauntleroy (1936), also available at the Internet Archive. Though Shirley Temple is not in that one.

Anita Louise and Shirley Temple in The Little Princess (1939)

The Little Princess
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Year: 1939
Running time: 1 h 33 min
Director: Walter Lang
Stars: Shirley Temple
Image quality: Good
Resolution: Medium (653×446; not counting black border)
Sound quality: Good
Best file format: MPEG2 (3.1 G)

Great Expectations (1946)

There is definitely a tangible difference between British and American film from the 1930s and 40s. A difference that can be seen in almost everly little detail. Cutting, acting, plotting, lighting, you name it. Which one you prefer is perhaps a matter of taste, but I personally have a very soft spot for the British variety.

Tony Wager in Great Expectations (1946)

David Lean’s Great Expectations is an excellent example. Based on the Charles Dickens novel of the same title (which is also available at the Internet Archive), it tells the story of young Pip. Orphaned and brought up by his brother-in-law the blacksmith, he eventually becomes the protégé of an anonymous benefactor, who helps to pay for his learning to become a gentleman in London.

In his childhood, Pip had come to Miss Havisham’s house to be the playmate of the haughty but beautiful Estella. When Pip, the adult gentleman, is called upon to visit Miss Havisham, he again meets Estella, and his youthful love for her is rekindled.

This is only a small sample of the wonderful story, which in turn is a shortened version of Dickens’ original. It is really a beautifully executed adaptation, and well deserving of the two Academy Awards it received.

This film is best enjoyed if you love old mansions and 19th century costumes. As a historical drama, it has few equals from its time.

John Mills and Valerie Hobson in Great Expectations (1946)

Great Expectations
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Year: 1946
Running time: 1 h 53 min
Director: David Lean
Stars: John Mills, Valerie Hobson
Image quality: Good
Resolution: Medium (688×519)
Sound quality: Good
Best file format: Cinepack (1.5 G)