Captain Kidd (1945)

Last week, I wrote about how Douglas Fairbanks defined the entire pirate film genre with The Black Pirate (1926). Having said as much, all pirate films are naturally not made from the same template. Though a number of clichés can certainly be found in Captain Kidd, the film also contains a number of original elements.

Randolph Scott in Captain Kidd (1945)

Captain Kidd is nowhere near as lavish and epic as The Black Pirate, yet it is well worth watching on its own merits. The plot is a bit too intricate to be described in just a few sentences, but rest assured that you will find both romance and adventure a-plenty. It involves the greedy and scheming pirate William Kidd (Charles Laughton), the greatest menace of the seven seas, and Adam Mace (Randolph Scott), a man who is out for revenge.

Captain Kidd has often been criticised for being historically inaccurate. That may well be the case, but it is totally beside the point. The film does make use of a number of historical names, places and ships, but the entire plot is just a wonderful fantasy, and it should be watched as such.

This film is best enjoyed for Charles Laughton’s acting. Even though Randolph Scott may nominally be the film’s hero, Laughton is definitely the main character. I did not clock, but I am sure he gets more screen time, and he is absolutely magnificent in his role. There is also a very good John Carradine in a minor role.

Captain Kidd (1945)

Captain Kidd
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Year: 1945
Running time: 1 h 29 min
Director: Rowland V. Lee
Stars: Charles Laughton, John Carradine
Image quality: Acceptable
Resolution: Low (720×576)
Sound quality: Excellent
Best file format: DivX (700 M)

The Black Pirate (1926)

Through the Internet Archive, you can follow Douglas Fairbanks’ career pretty well. From one of his earliest bit parts in The Martyrs of the Alamo (1915), through to his last leading role in The Private Life of Don Juan (1934), you can follow almost every important turn of his rich and interesting life in Hollywood. Pretty much in the middle, you will find The Black Pirate, often considered to be one of his greatest.

Douglas Fairbanks in The Black Pirate (1926)

The Black Pirate has all the trademarks of Fairbanks’ romantic adventure epics of the 1920s. There are splendid costumes, magnificent sets, swashbuckling action, breathtaking acrobatics. There are also most of the clichés you would expect from any good pirate movie. Hidden treasure, mutiny, cannon fire, walking the plank. Basically the same kind of stuff you will find in the latest Pirates of the Caribbean, only Fairbanks did it first. And in some ways just as good. In fact, a few unique scenes have never (to my knowledge) been duplicated, such as the crew of seamen swimming underwater. Marvellous stuff!

The film, of course, was not created out of a vacuum. It has been said that Fairbanks was mainly inspired by Howard Pyle’s Book of Pirates (1903; also available at the Internet Archive).

The Black Pirate was one of the first films to be entirely shot in colour, albeit a limited two-colour process. Unfortunately, the copy at the Internet Archive is black and white with some tinting. Also, the IA copy is cursed with a very bad score, consisting of random classical music.

This film is best enjoyed by lovers of the pirate genre. The Black Pirate stands at the portal of everything that followed, and it is still good enough to compete with the best. If you care to spend the money, the DVD with restored colour is much preferable, but the IA copy is nevertheless enjoyable.

Douglas Fairbanks in The Black Pirate (1926)

The Black Pirate
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Year: 1926
Running time: 1 h 23 min
Director: Albert Parker
Stars: Douglas Fairbanks
Image quality: Acceptable
Resolution: Low (640×480)
Soundtrack: Poor; random classical music
Sound quality: Excellent
Best file format: MPEG4 (629 M)

The Iron Mask (1929)

Alexandre Dumas’ novel The Three Musketeers has become one of the most popular stories to adapt onto the silver screen. By 1920, there had already been a number of adaptations. Douglas Fairbanks took film swashbuckling to new heights with The Mark of Zorro, and he was to follow it up in 1921 with The Three Musketeers, which became the first classic film of the tale.

The version of The Three Musketeers available at the Internet Archive, unfortunately, has fairly poor image quality and has no soundtrack. But before the 1920s was over, Fairbanks had made a sequel, The Iron Mask, which is just as good.

Douglas Fairbanks as d'Artagnan and Marguerite De La Motte as Constance Bonacieux in The Iron Mask (1929)

In The Mark of Zorro, Fairbanks had introduced the world to the swashbuckling adventure romance genre of film. It was still pretty rough by modern standards, but with The Three Musketeers he really broke new ground. This type of film, with a historical setting, lavish costumes and majestic sets, was something he would continue to do until the end of the silent era, after which he more or less gave up on film making. Some of his great movies include Robin Hood (1922) and The Thief of Bagdad (1924).

The Iron Mask was to become his last silent film, and one of the last major silent productions of any kind. Though it was made mainly as a silent, there were originally a couple of talking sequences and a score with synchronized sound effects. However, the original score has never been completely restored, and the version at the Internet Archive, along with several similar ones, is effectively silent, with a soundtrack of classical music. (A version with partly restored soundtrack was released on DVD some years ago.) Yet another version was released in 1952; it was somewhat cut, but with an added introduction and a narrative track by Douglas Fairbanks, Jr. That version is also available from the Internet Archive, but I personally do not like the narration, so I prefer the original, even without the sound.

The Iron Mask, along with Fairbanks’ other adventure films from the 1920s, still hold up well. Not only are they impressive in scope and well produced, but Fairbanks was also a good actor, and his athletic stunts continue to amaze almost 100 years later.

A curious and little-known fact is that The Iron Mask was in fact the third time that Douglas Fairbanks played d’Artagnan. In addition to The Three Musketeers, he also played the French adventurer in a brief prelude to the 1917 comedy A Modern Musketeer.

This film is best enjoyed after having first seen The Three Musketeers. Fans are divided regarding which is the better film. I personally prefer The Iron Mask.

One for all and all for one: Tiny Sandford as Porthos, Douglas Fairbanks as d'Artagnan, Leon Bary as Athos and Gino Corrado as Aramis in The Iron Mask (1929)

The Iron Mask
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Year: 1929
Running time: 1 h 41 min
Director: Allan Dwan
Stars: Douglas Fairbanks
Image quality: Acceptable
Resolution: Medium (640×480)
Soundtrack: Acceptable; classical music synchronized with the images
Sound quality: Good
Best file format: MPEG4 (1.1 G)