Dressed to Kill (1946)

Later this week, this blog turns four years. With this week’s post, I therefore take you back to where it all began: Basil Rathbone as Sherlock Holmes in 1946.

That first film I wrote about was Terror by Night, arguably the best of the many Sherlock Holmes films available at the Internet Archive. Later that same year, Rathbone along with Nigel Bruce were to make their last screen appearances as the famous detective and his sidekick. While not quite as good as the earlier film, Dressed to Kill is not a bad pick if you like old-school mysteries.

Basil Rathbone as Sherlock Holmes and Nigel Bruce as Doctor Watson in Dressed to Kill (1946)

Dressed to Kill begins with two preludes. First is a scene from a prison, then one from an auction hall. Both involve music boxes, and this is of course no coincidence. Later, we find ourselves on home turf, as far as Holmes mysteries go. Holmes and Watson sit in the 221 B Baker Street apartment, the one playing the violin, the other musing over some old cases that have recently seen print. Watson’s old pal “Stinky” calls for a visit, and of course he brings a somewhat intriguing mystery. A mystery with a music box. Well, who would have imagined?

In an attack of lacking imagination, the producer and writer here re-used the plot of the Arthur Conan Doyle story “The Adventure of the Six Napoleons”, which had already been filmed with Rathbone two years earlier as The Pearl of Death. But there is a twist. The music boxes that are featured in place of the original’s Napoleon busts are not exactly identical; the music they play has slight variations, and in those variations is a code. A code that only Sherlock Holmes can crack. We are also treated with a number of memorable crooks, including a femme fatale well played by Patricia Morison.

With this film, I consider myself to have mined the Internet Archive for worthwhile Sherlock Holmes films, except for one little bonus feature that I saved for next week. There are several other Holmes-related films in the Archive, but all are either too poor or too short, usually both. Of historical interest is, for example, a series of silent shorts.

In addition to this one and Terror by Night, two of the fourteen Rathbone/Bruce films are available for download at the Internet Archive, and in the intervening years since my first post I have written about both. They are Sherlock Holmes and the Secret Weapon (1943) and The Woman in Green (1945).

This film is best enjoyed whenever you are in the mood for some good, classic, Holmes. Few are better than Rathbone, and add to that solid scenography, dialogue and directing. I still think that Terror by Night is the best Holmes film at the Internet Archive, but when you have seen that, you will want more, and Dressed to Kill is not a bad next selection.

Nigel Bruce as Doctor Watson and Basil Rathbone as Sherlock Holmes in Dressed to Kill (1946)

Dressed to Kill
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Year: 1946
Running time: 1 h 12 min
Director: Roy William Neill
Stars: Basil Rathbone, Nigel Bruce
Image quality: Excellent
Resolution: High (960×738)
Sound quality: Good
Best file format: MPEG4 (3.1 G)

No Man’s Land – Hell on Earth (1931)

When the Nazis came to power in Germany in 1933, they immediately banned a number of films that they perceived as spreading “dangerous” propaganda. One of them was Niemandsland, known in English under different titles; the copy at the Internet Archive is called No Man’s Land – Hell on Earth.

No Man’s Land is set during World War I, and begins by telling the background stories of five different men of different nationalities. Stories that are perfectly everyday, until the men are drafted into World War I. These men come together when they seek cover in the cellar of a bombed-out house in the middle of no man’s land. They each have their own loyalties, and their own families back home, yet have to cooperate in order to survive.

World War I soldiers going over the top in Niemandsland / No Man's Land - Hell on Earth (1931)

The film sends a strong anti-war message. This may have been one reason why it scared the Nazis, but probably more importantly because one of the five men is a Jew, a Jew depicted as a perfectly normal and honest human being. Imagine the threat.

Just like last week’s Vampyr (1932), No Man’s Land is a film from the period just after sound film had broken through, and again an example of inexperience with sound technology. As a result, the poor sound detracts somewhat from the enjoyment of watching, though this film is still good enough that such a small detail can be overlooked.

I saw a comment somewhere on the Internet that this film is pointless, because five men cannot stop a war anyway. It takes the will of an entire civilization to do that. Well, that is exactly the kind of attitude that means war will never come to an end, because first and last, it always comes down to the individual. Sure, there must be powerful political leaders to sign the treaties, but they will never do it unless they feel popular demand behind them; they will never be elected in the first place unless the people support their opinions. So, yes, five men’s stand, or even one man’s stand, counts. Because as long as everyone sits on their behinds waiting for someone else to act, nothing is ever going to change.

This film is best enjoyed for its warm and deep humanism. The five men in the cellar all come through as living, three-dimensional characters. As a viewer, I care about each of them, and therefore the film’s message also comes through as meaningful and interesting.

Ernst Busch, Vladimir Sokoloff, Hugh Douglas, Georges Péclet and Louis Douglas in Niemandsland / No Man's Land - Hell on Earth (1931)

No Man’s Land – Hell on Earth
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Year: 1931
Language: English, German, French, Yiddish
Running time: 1 h 6 min
Director: Victor Trivas, George Shdanoff
Image quality: Acceptable
Resolution: Medium (720×480)
Sound quality: Poor
Best file format: Cinepack (517 M)

A Diary for Timothy (1945)

It is 1945. The tide of war has finally turned in Great Britain’s favour. The Germans are retreating on all fronts, and victory is now more than just a vague dream. But many cities in southern England are in ruins, and the V2 rockets are still a very real threat. It is into this world that Timothy is born. As a tribute to him, director Humphrey Jennings tells the story of A Diary for Timothy.

A Diary for Timothy (1945)

I am not sure if Timothy actually existed, but whether he did or not is of minor importance. In this film, the infant baby is a storytelling device, and an effective one. Though the film is not really about Timothy, or his mother, the film repeatedly returns to them and their home in Oxfordshire.

But the stories told in this film are about other people. About the Air Force pilot recovering from his wounds. About the coal miner doing his best to produce as much coal as possible for the war effort.

This is pure propaganda, and well made. It stresses how both military and civilian personnel must work together to take Britain through the war. As a factual documentary, A Diary for Timothy has very little to offer, even though many factual events are doubtlessly recorded.

This film is best enjoyed for its effectively woven image of a strong and resilient country. A country that will not give in, no matter what. Additionally, it is interesting because of its narration, written by famous author E. M. Forster.

A Diary for Timothy (1945)

A Diary for Timothy
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Year: 1945
Running time: 37 min
Director: Humphrey Jennings
Stars: Michael Redgrave (narrator)
Image quality: Good
Resolution: Medium (768×576)
Sound quality: Acceptable
Best file format: MPEG2 (1.4 G)

The Case of the Frightened Lady (1940)

If you have a soft spot for British mystery films, then you will not want to miss The Case of the Frightened Lady. It is a delightful, albeit fairly conventional, mansion mystery, complete with a serial killer, Scotland Yard detectives and a sealed room.

Helen Haye and George Merritt in The Case of the Frightened Lady (1940)

In The Case of the Frightened Lady we meet the elderly Lady Lebanon and her son, Lord Lebanon, the last in the line. Being suitably strong-willed, the Lady is set on having her son marry his cousin and secretary, Miss Crane. The young Lord, however, has other plans. As befits a good mystery, they are surrounded by a cast of strange characters, such as the two footmen who appear more like gangster thugs and the family doctor who definitely is involved in some shady business. And what about the architect, called in to plan some well-needed renovation?

The actors perform well, especially Helen Haye (not to be confused with American actress Helen Hayes, who has performed in a number of similar roles) as Lady Lebanon. George Merritt as the Scotland Yard inspector is also good, and Ronald Shiner is nice as the mandatory comic relief sidekick, possibly inspired by Nigel Bruce, who had premiered as Dr. Watson the year before.

This film is best enjoyed if you are willing to sacrifice credibility on the altar of entertainmet. The plot is definitely convoluted at times, not least so the ending, but it is told in a thrilling and involving way. Even though you may at times suspect the true killer, you will want to keep watching in order to find out the motives and all the background details.

Helen Haye and Penelope Dudley Ward in The Case of the Frightened Lady (1940)

The Case of the Frightened Lady
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Year: 1940
Running time: 1 h 17 min
Director: George King
Stars: Marius Goring
Image quality: Good
Resolution: Medium (549×416)
Sound quality: Acceptable
Best file format: MPEG4 (560 M)

We Dive at Dawn (1943)

The submarine film is an interesting genre, and We Dive at Dawn is a good representative. Here you will find everything to be expected from a good submarine film. The closed spaces, the comradeship and conflicts among the crew, the sounds of machinery and exploding depth charges, the excitement of the hunt and the tense waiting as the hunter turns to prey.

John Mills and Reginald Purdell in We Dive at Dawn (1943)

The British submarine Sea Tiger has just come back after a long time at sea. We get to see the various crew members as they go ashore for a presumed lengthy leave, but we barely get a glimpse of their private troubles before they are ordered back to ship for another important mission. As the somewhat disheartened lot take their vessel out again, they are told that they are going after the German battleship Brandenburg, as they should be able to catch up with her before she enters the Kiel Canal in northern Germany.

But when they take aboard some Germans from a rescue buoy, they learn that the Brandenburg is farther ahead than expected, and they will not be able to catch up. The ship’s captain (John Mills) then makes the decision to enter the Baltic and search for the German battleship there. But the decision is a foolhardy one. Not only because the Baltic is full of German ships, but also because they are running low on fuel.

Judging by its looks, We Dive at Dawn was a pretty cheap film. The submarine interiors look convincing enough to my untrained eye, but many small details, such as John Mills’ fake stubble, lack the attention which marks a really well-produced film.

Nationalism and propaganda naturally lurks in the background of a wartime production such as this. But it is never allowed to surface (pun intended) in the same way as in, for example, In Which We Serve (1942) or One of Our Aircraft Is Missing (1942).

This film is best enjoyed if you like either submarines or British 30s/40s films. Though not the best representative of either category, We Dive at Dawn nevertheless has enough good qualities to satisfy your hunger for more of those kinds of films. The story, while a touch on the sentimental side, is good and the actors are adequate.

Turkish S class (Oruç Reis class) submarine P 614 in We Dive at Dawn (1943)

We Dive at Dawn
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Year: 1943
Running time: 1 h 33 min
Director: Anthony Asquith
Stars: John Mills
Image quality: Good
Resolution: Medium (512×384)
Sound quality: Good
Best file format: MPEG4 (700 M)

The Battle of Britain (1943)

Frank Capra’s famous World War II propaganda series Why We Fight has been justly praised for its high drama and impact. I have previously written about The Nazis Strike, the second part, and the turn has now come to part four, The Battle of Britain. I have seen most of the series, and in my humble opinion, this part is perhaps the best of the lot.

The Nazi whale about to devour Great Britain in Why We Fight: The Battle of Britain (1943)

There are several reasons why I like this film. One is the large amount of genuine aerial footage, both from British sources and from captured Nazi propaganda films. Another is the exciting story it tells. Not the least important reason is the excellent narration by Walter Huston, with brilliant lines like this one: “The Nazi plan called for the RAF to be knocked out of the air, but the men of the RAF hadn’t read the Nazi plan.”

Sure, this is propaganda. It cannot be trusted for historical facts. But it will give you at least a partial glimpse of the reality behind the facts and figures of World War II.

If you are interested in some more facts about the series as a whole, do check my post on The Nazis Strike.

This film is best enjoyed if you are interested in old combat aircraft. The pictures do not lie about these magnificent machines and their performance in the air.

Spitfires in Why We Fight: The Battle of Britain (1943)

The Battle of Britain
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Year: 1943
Running time: 53 min
Directors: Frank Capra, Anatole Litvak
Stars: Walter Huston (narration)
Image quality: Good
Resolution: Medium (720×540)
Sound quality: Good
Best file format: MPEG2 (1.9 G)

Scrooge (1935)

One year ago, almost exactly, I wrote about Scrooge (1951), one of the many cinematic interpretations of Charles Dickens’ famous story A Christmas Carol. That version is only one of several available at the Internet Archive. Today, the turn has come to the very first sound version of the story, also titled Scrooge.

Oscar Asche and Seymour Hicks in Scrooge (1935)

A Christmas Carol is one of those stories that has been filmed again and again. And quite often, the resulting product has been really nice. Hence, there are a good many actors that have made classic Scrooge interpretations. Alastair Sim in the 1951 version is certainly one, and Seymour Hicks in 1935 is another. Hicks is excellent as the miserly old money-lender, and he is among the very best in his terror of the ghost of Jacob Marley, as well as of the three spirits of Christmas. Like many other Scrooge actors, he lets himself be carried away, and is a bit too manic as the reformed kindly old man. But this is a minor problem and goes with the genre.

I find it difficult to choose between the 1935 and the 1951 versions. Both have good scripts and excellent actors. The former is a bit less advanced in terms of special effects (ghostly apparitions, and that sort of stuff), but since it cleverly avoids many of the technical difficulties, using instead simple means like shadows and good acting, this is not really a problem. The 1951 version is perhaps a trifle stronger in the camerawork, whereas the 1935 movie has many little humourous details. In the end, it may come down to technical aspects, and in that respect the 1951 version is blessed with a better copy at the Internet Archive. However, both are well worth watching.

The 1935 copy mainly linked to from this post is the one at the Internet Archive with the best image quality, but the download file is well over 3 GB in size. Fortunately, there is another version, made from the same source. Image quality is almost as good, and file size is much smaller. This is a good option if your bandwidth is limited.

This film is best enjoyed when you need a bit of feel-good in your life, or when you just want to experience a good old classic British costume film.

Donald Calthrop, Barbara Everest and Philip Frost in Scrooge (1935)

Scrooge
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Year: 1935
Running time: 1 h 18 min
Director: Henry Edwards
Stars: Seymour Hicks
Image quality: Good
Resolution: Medium (720×540)
Sound quality: Acceptable
Best file format: MPEG4 (3.7 G)